AKAI Professional EWI 5000

Olen käyttänyt tätä soitinta bändini kanssa keikkaillessa useamman vuoden ajan. Soittimessa alkaa kuitenkin huomaamaan jo käytön jälkiä ja taisin vahingossa aikoinaan purra bite sensorin rikki. Softassa olen välillä huomannut bugisuutta ja tosiaan rikkihän tämä käytössä lopulta menee ellei ole tosi tosi varovainen. Omani toimii niin, että sillä vielä voi soittaa, mutta tuo bite sensori on sellainen, että se toimii "välillä".

My son wanted this for his birthday gift. He has been playing alto and tenor sax for seven years. He has been really excited about EWI and says that it has opened the whole new chapter in his playing. For a sax or clarinet player the handling of EWI is pretty easy. Only the slider is little tricky at the beginning. As far as I have heard, the built in sounds are decent but of course you can use what ever sound source via midi. Overall EWI seems to be good for its price.

I bought this instrument mainly to use in silent practice when I am away from home. This has changed recently because I now have studio monitors (KRK Rockit 5's from Thomann) which I'm using to amplify it and also play backing tracks on it simultaneously.

But, it will still have it's uses for silent practice. There are some differences in the fingerings between the EWI and the sax, even though it can be set up to play as a sax, you still need to get your head around certain differences, but this is fairly intuitive.

The other difference is that there's no need for a strong embouchure for higher notes, as you just roll your thumb up the octave rollers at the back to span 7 octaves effortlessly (compared to the sax's 2.5 octaves, which can be tricky to play at either end.

The issue I have is with the various sounds. They are not very authentic for some of the woodwind "programs" and (ironically) the saxophones are the least authentic of all, to my ears. But it you treat it like a completely different instrument, it's fine.

The program editor that comes supplied (or at least by download) is an essential tool in helping to tweak the various in-built sounds, but it takes some getting used to. I bought pre-sets for all 100 sounds from an expert in the USA and used his settings which really do seem to have made a difference to the onboard sounds.

The main advantage of this model over the less expensive EWI4000 is that it can be wireless. This is a major plus for anyone using it on stage or in a performance stetting (as the EWI does not have to be tethered to the amplifier (the wifi box is attached to the speakers.)

Even just using it at home, I have found the freedom I get from not being attached to the speaking with the USB cable a real bonus as I can have my music stand at the opposite end of the room from the speakers.

Overall, it's a fascinating instrument that will take a lot of time to use properly, but one that I am very glad to have bought.

I've played the EWI 4000S during almost five years. The EWI 5000 is a great step ahead, the instrument maintain the overall characteristics of playability and capacity of adjutment to personalize it.
the sounds are clearly better, also the selection of instruments, mainly wood wind and some brass, I agree to the discard of the string sounds. It is a wind instrument ! Of course the sounds don't match a real instrument. Who like a real sax sound, must buy a sax ! The degree of expresivity is the same of the 4000S.
The wireless work very well, I've tested it far away of the receiver, it brings to the instrument a fantastic freedom.
I still haven't tested the soun edditor. It is an useful characteristic to have a default sound bench and a personalizable user sound bench.
At the next link Peter Climie show the 100 default sounds:
Peter !
I'm really satisfied with my new Akai EWI 5000.